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Chapter 4: Avid Unity ISIS Workflows for Pro Tools 51
rently have no media in those folders. You can-
not save these export settings until you have
highlighted a target volume. Striped drives ap-
pear in bold type.
Handle Length Extends the beginning and end
of the consolidated file by the specified number
of frames. This lets you trim edits later, though
the sequence would need to be re-edited in the
Avid application.
Render Video Effects Always select Render Video
Effects. If you already manually rendered effects,
selecting this option will not create new files. It
is highly recommended that all effects be ren-
dered manually before exporting the sequence.
Transcode Video To Use this only if you need to
change the video resolution. Pro Tools with an
Avid video peripheral supports all resolutions
supported by Avid applications, so in most cases
this will not be necessary.
7 Click the Audio Details tab, and select one of
the following from the Export Method pop-up
menu:
Link to Current Media The Pro Tools session will
link to the same audio files as the current Avid
sequence. Choose this setting in a single-user
scenario in which the audio files are currently
stored on a volume suitable for Pro Tools audio
playback (such as an ISIS volume).
Copy Media and Link to Copied Media New com-
plete audio files will be created on the desig-
nated volume.
Choose this option in a multi-user scenario in
which the Pro Tools user is receiving the se-
quence for the first time and will copy the media
to their respective Workspace.
Consolidate and Link to Consolidated Media Sim-
ilar to Copy Media, but only the parts of the au-
dio files which are actually used in the Timeline
are copied.
Choose this setting in a multi-user scenario in
which the Pro Tools user may already be work-
ing on media from the sequence, and will copy
the changed material to their respective Work-
space.
The following settings may also appear under
the Audio Details tab, depending on the selected
export method:
If your Pro Tools system is running on a
slower computer, you may be able to reduce
some of the CPU load in Pro Tools by
transcoding the video to 1:1 on export. 1:1
video is uncompressed, and consequently it
does not need to be decompressed before
playing back. However, 1:1 video requires
significant amounts of storage space.
Export Settings dialog, Audio Details tab
Do not use either Embed Media or Consoli-
date and Embed Media for video media.
Pro Tools does not import the video from
AAF sequences containing embedded video.
- Pro Tools Avid 1
- Unity ISIS 1
- Legal Notices 2
- Contents iii 3
- Pro Tools Unity ISIS Guideiv 4
- Introduction 5
- Overview of an ISIS System 6
- Chapter 1: Introduction 3 7
- Pro Tools Unity ISIS Guide4 8
- Embedded Media and Linked 9
- Frame-Rate Accurate Video 10
- Editing and Sample-Rate 10
- Accurate Audio Editing 10
- System Requirements 11
- About Avid Unity ISIS Guides 11
- Support for Avid Unity ISIS 12
- Conventions Used in This 12
- About www.digidesign.com 13
- Pro Tools Unity ISIS Guide10 14
- Installation Overview 15
- Workstation Configuration 15
- Requirements 15
- Pro Tools 15
- Avid Unity ISIS Client and 16
- Zone Descriptions 16
- Installing the ISIS Client 16
- Hardware 16
- Intel PRO⁄1000 MT Card 17
- Pro Tools Unity ISIS Guide14 18
- Connection Properties dialog 18
- 7 Click OK 19
- Configuring the Windows XP 20
- Firewall 20
- Zone 1 and Zone 2 Clients 20
- Using a Browser 21
- Pro Tools Unity ISIS Guide18 22
- About Avid Unity ISIS Client 23
- Connecting to the Avid Unity 23
- ISIS System 23
- Opening the Client Manager 24
- Changing Your Password 25
- Accessing Client Manager Help 25
- Mounting and Unmounting 26
- Workspaces 26
- Using the Workspace Display 27
- Configuring Workspace Drive 28
- Letter Assignments 28
- Testing Your Avid Unity ISIS 29
- Connection 29
- Running the Test 30
- Adjusting Workspace Size 31
- Protecting and Unprotecting 32
- Setting Bandwidth 33
- Reservations 33
- Performing Administrative 34
- Clearing Cached Data 35
- Configuring the Pro Tools 36
- Playback Engine 36
- Settings for a New Session 37
- ISIS Client Performance and 38
- Guidelines 38
- Determining Total Throughput 39
- Performance Characteristics 40
- Sharing Files 41
- Destructive Editing 41
- MXF and OMF Files 42
- Exporting Audio and Video 43
- Pro Tools Unity ISIS Guide40 44
- Manually Exporting an AAF 45
- Sequence from Media 45
- Composer 2.5 and Higher 45
- Pro Tools Unity ISIS Guide42 46
- Pro Tools Unity ISIS Guide44 48
- Checking In a Sequence to 49
- Interplay for Pro Tools 49
- 2 Do one of the following: 50
- Composer Prior to 2.5 52
- Pro Tools Unity ISIS Guide50 54
- Details tab 54
- Pro Tools Unity ISIS Guide52 56
- 3 Do one of the following: 58
- Importing Audio and Video 59
- 4 Click Open 60
- 7 Click Save 60
- 6 Click OK 62
- Importing a Sequence into 63
- Pro Tools from Interplay 63
- Pro Tools Unity ISIS Guide60 64
- Navigating to the sequence 64
- Editing Audio in Pro Tools 66
- Exporting Audio from 67
- Pro Tools for Avid Editing 67
- Applications 67
- Exporting Audio Files Using 69
- Bounce to Disk 69
- Interplay from Pro Tools 70
- Importing Audio into an Avid 71
- Application from Pro Tools 71
- Pro Tools Unity ISIS Guide68 72
- Media Tool 72
- Application 73
- Back into the Avid Editing 73
- Synchronizing Audio with an 75
- Avid Sequence 75
- Unity ISIS Systems 79
- HP xw9300 80
- PCI host card 83
- PCI Host Card to Unity ISIS 84
- Numerics 85
- Pro Tools Unity ISIS Guide82 86
- Index 83 87
- Pro Tools Unity ISIS Guide84 88
- Index 85 89
- Pro Tools Unity ISIS Guide86 90
- Index 87 91
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