Avid Technology System 5 Dokumentacja

S3L System Guideand VENUE Software 4.1PN 9329-65306-00 REV A 8/13

Contents xiPart VIII ReferenceChapter 30. GPI Port Reference . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

S3L System Guide96Adjusting Direct Outputs Up to 12 dB of gain can be added to the Direct Output signal. Di-rect Output level controls are provided in

Chapter 8: Outputs and Output Routing 97VCAsVCA controls emulate the operation of traditional Voltage Con-trolled Amplifiers (VCAs). Up to eight VCA f

S3L System Guide98Using VCAsVCA level and mute status can be controlled from the channel strips or the Global Control encoders.To control VCA members

Chapter 8: Outputs and Output Routing 99Resetting Bus AssignmentsYou can remove input assignments from a Group on-screen.To remove an input assignment

Chapter 9: Groups 101Chapter 9: GroupsThis chapter shows how to do the following: • Configure Group busses• Route Groups to Mains• Adjust Group output

S3L System Guide102To adjust Group output levels from the Global Control encoders1 Make sure the Global Control menu is shown in the Global Control di

Chapter 9: Groups 103Group Output Polarity Invert (Phase Reverse)The polarity of any Group output bus signal can be inverted (Phase Reverse). With ste

S3L System Guide104Routing Signals to a Stereo Group Bus ConfigurationWhen configured as stereo busses, the eight Groups are fed as eight true stereo

Chapter 10: Auxes and Variable Groups 105Chapter 10: Auxes and Variable GroupsThis chapter shows how to do the following: • Configure Aux and Variable

S3L System Guide106Selecting Aux and Variable Group Pre Pickoff PointsEach input channel Aux or Var Group send can be set as pre- or post-fader. You c

Part I: Overview

Chapter 10: Auxes and Variable Groups 107Creating an Effect Send/ReturnAn effect send/return lets you send signals from multiple Input Channels (using

S3L System Guide108Adjusting Aux and Variable Group Send ControlsYou can adjust mono and stereo-linked Aux and Variable Group sends using the Channel

Chapter 10: Auxes and Variable Groups 109Assigning Variable Group Sends to the Channel EncodersTo assign Variable Group sends to the channel encoders:

S3L System Guide110Adjusting Stereo Sends When Aux busses are linked, input signals are panned across the bus pair. Aux panning can be controlled from

Chapter 10: Auxes and Variable Groups 111Adjusting Aux/Variable Group Output ParametersAux and Variable Group output parameters can be controlled us-i

S3L System Guide112Aux/Variable Group Output MuteAux and Variable Group busses can be muted from the channel strips and the Global Control encoders.To

Chapter 11: Matrix Mixers 113Chapter 11: Matrix Mixers This chapter shows how to do the following: • Configure Matrix mixers• Assign input sources to

S3L System Guide114Configuring Matrix MixersThe 12 inputs for each Matrix mixer can be any combination of the following potential sources: • 24 shared

Chapter 11: Matrix Mixers 115SnapshotsAll matrix settings, including Pan but excluding the stereo link status, are stored and recalled with snapshots.

S3L System Guide116Configuring User InputsEach Matrix mixer can have its own set of eight assignable User Inputs. User Inputs for each Matrix are conf

Chapter 1: Introduction to the S3L System 1Chapter 1: Introduction to the S3L SystemWelcome to the S3L digital live mixing system from Avid®. The S3L

Chapter 11: Matrix Mixers 117Adjusting Matrix Mixer Input ControlsInput sources for the Matrix Mixers can be controlled from the Global Control encode

S3L System Guide118Clearing Matrix Mixer SettingsYou can clear mixer input assignments to quickly set all the input sources to None. To clear Matrix i

Chapter 11: Matrix Mixers 119Matrix Mixer Output ProcessingMatrix mixer output processing can be controlled using Channel Control.To apply output proc

Chapter 12: Patchbay 121Chapter 12: PatchbayThe Patchbay is used to assign Input and Output Channels, Direct Outputs, and Inserts to hardware inputs a

S3L System Guide122I/O TabsClick to display and patch Inputs, Outputs, or Directs (Direct Outputs). Other options in the Patchbay screen change to ref

Chapter 12: Patchbay 123Text Display of Patch Source and DestinationAbove the grid are “from” and “to” text display fields that display the full text

S3L System Guide124Scrolling in the PatchbayTo scroll through the channel list (vertically): Move the cursor over a channel name at the left of the P

Chapter 12: Patchbay 125Unassigning and Clearing Assignments To unassign a single channel in the Patchbay: Place the cursor over an assigned channel

S3L System Guide126Warning when Stealing Inputs or Outputs in the PatchbayThe Patchbay indicates hardware outputs that are already in use by dimming t

Chapter 12: Patchbay 127Contents of Exported Patchbay InformationExported Patchbay information is saved as an HTML file, and the file name includes th

S3L System Guide2S3L System FeaturesS3L System ProcessingThe S3L system provides the following processing features and capabilities:• 64 input process

Chapter 13: Solo and Monitor Busses 129Chapter 13: Solo and Monitor BussesThis chapter shows how to do the following: • Select a Solo mode (PFL, AFL,

S3L System Guide130Configuring Solo and Monitor OptionsSolo and monitor options are configured in the Solo and Monitor Operations section of the Optio

Chapter 13: Solo and Monitor Busses 131Using SoloSolo operation depends on the type of channel being soloed, and on any selected Solo switch options.

S3L System Guide132Solo Bus MeteringWhen a channel or dynamics key input is sent to the Solo bus, its signal is metered on the Selected Channel meters

Chapter 13: Solo and Monitor Busses 133Using the Monitor BusThe Monitor bus routes signals to the Headphone output. The Monitor bus can also be routed

S3L System Guide134Sending the Main Mix to the Monitor BusMonitor Output from an L-C-R Main MixThe stereo Mix to Monitors signal is derived from the L

Chapter 13: Solo and Monitor Busses 135Configuring the Oscillator and Setting LevelThe Oscillator is configured on-screen, and can be activating on-sc

S3L System Guide136To activate and set the level for the Talkback from the Global Control encoders:1 Press the Monitoring Global Control encoder to as

Chapter 14: Muting and Mute Groups 137Chapter 14: Muting and Mute GroupsThis chapter shows how to do the following:•Mute Channels• Using Mute GroupsMu

S3L System Guide1385 Do either of the following:• To confirm the Mute Group definition, click the flashing Assign button. – or –• To cancel the Mute G

Chapter 1: Introduction to the S3L System 3CPU, DSP, and System DrivesThe E3 engine houses the CPU, Avid Pro Tools|HDX-powered DSP, and system drives

Chapter 14: Muting and Mute Groups 139Using Mute GroupsMute Groups are activated using the Mute Group controls on-screen, or the Function switches on

S3L System Guide140Disabling Mute GroupsYou can temporarily disable all Mute Group functions. When Mute Groups are disabled, all channels implicitly m

Part V: Processing

Chapter 15: Dynamics 143Chapter 15: DynamicsThis chapter shows how to do the following:• Use the built-in Compressor/Limiter• Use the built-in Expande

S3L System Guide144Adjusting the Built-In Comp/LimThe built-in Comp/Lim can be adjusted using Channel Control and on-screen. Comp/Lim Threshold can be

Chapter 15: Dynamics 145Adjusting the Built-In Exp/GateThe Exp/Gate can be adjusted using Channel Control and on-screen. When adjusting Dynamics, a Dy

S3L System Guide146Input Direct ModeInput Direct mode lets you completely bypass the built-in dynam-ics and EQ processing, and all inserts on Input Ch

Chapter 15: Dynamics 147Dynamics Settings and PresetsBuilt-in dynamics settings can be copied and pasted between channels. Settings can also be stored

S3L System Guide148Using the SidechainDynamics processors typically use the detected amplitude of their input signal to trigger gain reduction. This s

Chapter 15: Dynamics 149Using Sidechain EQ FiltersBoth the Compressor/Limiter and the Expander/Gate sidechains provide two bands of EQ to band-limit t

S3L System Guide4Activation Card The Avid S3L System Software & Plug-Ins Acti-vation Card is used to activate your S3L software and plug-ins. This

S3L System Guide150Channel Control Dynamics Parameter MappingThe following tables show how Dynamics parameters are mapped to the Channel Control encod

Chapter 16: EQ 151Chapter 16: EQThis chapter shows how to do the following:• Use the built-in EQs• Use the Graphic EQs• Adjust EQ plug-ins• Save EQ se

S3L System Guide152Built-In EQ Parameters4-Band EQThe following 4-band EQ parameters are available:EQ InEQ In toggles the built-in EQ processor (all b

Chapter 16: EQ 153Adjusting EQ You can adjust EQ from the Channel encoders, Channel Control, and on-screen. When adjusting EQs, an EQ response curve a

S3L System Guide154EQ Parameter Mapping in Channel Control4-Band Parametric EQ (Digital Mode)The following table shows how built-in EQ parameters (def

Chapter 16: EQ 155On-Screen EQ ControlsYou can adjust the built-in 4-band EQ using dedicated on-screen buttons for band in/out and bell/shelf toggling

S3L System Guide156Adjusting EQ Plug-InsEQ plug-ins can map their gain, frequency, and Q/bandwidth controls to corresponding encoders in Channel Contr

Chapter 16: EQ 157Enabling and Adjusting Graphic EQGraphic EQs are enabled and adjusted on-screen.To enable the graphic EQ:1 Target an Output bus with

S3L System Guide158Presets for Built-In and Graphic EQ You can store and load EQ settings to disk as Preset files. Presets can be used with built-in a

Chapter 16: EQ 159Control Ranges for Built-In 4-Band EQ (All Modes)Table 3. Control ranges for built-in parametric EQBand Control Range (Digital) Defa

Chapter 1: Introduction to the S3L System 5Operational RequirementsTemperature and VentilationS3L system devices should be operated away from heat sou

Chapter 17: Plug-Ins 161Chapter 17: Plug-InsThis chapter explains how to configure plug-ins before a perfor-mance, and how to use plug-ins during a pe

S3L System Guide162Installing Plug-InsTo install a plug-in:1 Insert the USB drive containing the plug-in installer(s) into an available USB port on th

Chapter 17: Plug-Ins 163Removing Plug-InsUninstalling a plug-in removes the plug-in from the racks but the installer remains in the Previous Installs

S3L System Guide164Authorizing Plug-InsA core set of plug-ins are installed on your S3L system. These plug-ins do not require any authorization. Other

Chapter 17: Plug-Ins 165Plug-in Version CheckerVENUE software includes a comprehensive database of plug-in information, and this info can be used to g

S3L System Guide166Plug-In RacksThe Plug-Ins page provides four plug-in racks. Each of the racks has five slots into which you can load a plug-in. The

Chapter 17: Plug-Ins 167“Jump To” Plug-Ins You can “jump to” a specific plug-in insert from the Input and Output pages to adjust it on-screen in the Z

S3L System Guide168Identifying Rack Slots The racks indicate which plug-in is currently targeted by high-lighting its rack slot controls in blue. With

Chapter 17: Plug-Ins 169Rack SlotsEach rack provides five plug-in slots. You can assign any in-stalled plug-in to any available rack slot. Rack Slot C

S3L System Guide170Assigning Plug-Ins to Rack SlotsBefore a plug-in can be used to process audio, it must be assigned to a rack slot. Once assigned, y

S3L System Guide6About www.avid.comThe Avid website (www.avid.com) is your best online source for information to help you get the most out of your sys

Chapter 17: Plug-Ins 171Routing Plug-InsAfter a plug-in has been assigned to a rack slot, you can specify its routing. Plug-In routing determines whet

S3L System Guide172Routing a Plug-In as a Bus ProcessorPlug-Ins can be used on busses for send-and-return processing with effects such as reverb and d

Chapter 17: Plug-Ins 173Side-Chain RoutingS3L supports sidechain (key) processing for plug-ins that support side-chain triggering. The Side-Chain sele

S3L System Guide174Adjusting Plug-Ins Using Global Control(Insert Mode) Selecting the Inserts Global Control encoder places Global Con-trol into Inser

Chapter 17: Plug-Ins 175Plug-In Presets and SnapshotsYou can save and load plug-in Presets files to import, export, and transfer plug-in settings file

S3L System Guide176Plug-Ins and VENUE Standalone SoftwareYou can use VENUE Standalone software to pre-configure plug-in routing and in/out state, with

Chapter 18: Hardware Inserts 177Chapter 18: Hardware InsertsThis chapter explains how you can connect external analog and digital hardware to the anal

S3L System Guide178To assign a hardware insert from the Patchbay:1 Go to the Patchbay page and click the Inserts tab. Engine and Console hardware tabs

Part VI: Shows

Chapter 19: Shows and File Management 181Chapter 19: Shows and File ManagementData can be stored, recalled and transferred between VENUE systems. Ther

Chapter 1: Introduction to the S3L System 7How to Use this PDF GuideThese are some useful features of this PDF:• The Bookmarks on the left serve as a

S3L System Guide182Show FilesCreating and Saving Show FilesWhen you create a new Show file, it captures the current state of the system. Show files ar

Chapter 19: Shows and File Management 183System Configurations and Loading ShowsShow files include system configuration settings such as the type of c

S3L System Guide184Renaming Preset FoldersTo rename a Preset Folder:1 In the left column, click a Preset Folder name to select it. 2 Click the Rename

Chapter 19: Shows and File Management 185Transferring Settings, Shows and PresetsYou can copy Console Settings, Shows, and Presets to and from a porta

S3L System Guide186To synchronize Settings, Shows, or Presets between the VENUE system and a portable storage device:1 Go to Filing > Transfer.2 Co

Chapter 20: Snapshots 187Chapter 20: SnapshotsSnapshots let you flexibly store and recall a wide range of mixing parameters. Snapshots are commonly us

S3L System Guide188Main and Recall Safe TabsThe Snapshots page provides Main and Recall Safe tabs. Main Provides the primary snapshot controls. Recall

Chapter 20: Snapshots 189Selecting SnapshotsYou can select single snapshots or multiple snapshots in order to target, recall, duplicate, edit, lock or

S3L System Guide190Snapshot Scope ControlsWhen you create a snapshot, it captures the current state of all system settings. However, you can select wh

Chapter 20: Snapshots 191Selected Channel IndicationThe Snapshots page indicates the currently selected channel.  If the selected channel is not scop

Chapter 2: Configuring and Connecting 9Chapter 2: Configuring and ConnectingThe chapter shows how to get your S3L system up and running by doing the f

S3L System Guide192Creating SnapshotsSnapshots can be created at any time to store the current channel and parameter settings. You can create new snap

Chapter 20: Snapshots 193Recalling SnapshotsTargeting SnapshotsTargeting a snapshot lets you preview which data types and chan-nels will be affected b

S3L System Guide194Selecting and Recalling Multiple SnapshotsYou can select and recall multiple snapshots to load them all in sequence, and in one ste

Chapter 20: Snapshots 1955 – Scope SetsScope Sets are presets for the Recall Safe tab that can be stored and loaded, just like plug-in, EQ and dynamic

S3L System Guide196Using Recall SafeTo access the Recall Safe tab:1 Go to the Snapshots page and click the Recall Safe tab. 2 Click a Channel Type tab

Chapter 20: Snapshots 197Plug-InsWhen engaged, this button prevents plug-in control settings, in-circuit state, and routing from being recalled.To ena

S3L System Guide198Automation SafeAutomation Safing a channel lets you suspend the effect of snap-shots on all parameters of the channel.Output channe

Chapter 20: Snapshots 199Locking SnapshotsSnapshots can be locked to prevent them from being accidentally altered, overwritten or deleted. Locked snap

S3L System Guide200Duplicating SnapshotsSnapshots can be duplicated from the Snapshots list. You can undo Duplicate commands.To duplicate snapshots:1

Chapter 20: Snapshots 201Making Changes to SnapshotsThere may be situations where you need to change specific pa-rameters in existing snapshots while

Legal Notices© 2013 Avid Technology, Inc., (“Avid”), all rights reserved. This guide may not be duplicated in whole or in part without the written con

S3L System Guide10Configuring Stage 16 Rack Ears/HandlesStage 16 can be rack-mounted, or it can be used freestanding. If you are using Stage 16 freest

S3L System Guide202Using Propagate ModeYou can use the Propagate command to capture changes and ap-ply them to existing snapshots. Propagate mode is m

Chapter 20: Snapshots 203Recall and Edit an Existing Snapshot Recall a snapshot to pre-view its settings and make any adjustments necessary, being su

S3L System Guide204Available and Unavailable Functions in Preview ModeIn order to maintain essential mix indicators and controls while in Preview mode

Chapter 20: Snapshots 205Plug-Ins in Preview ModeRecalling a snapshot that contains plug-in data affects the offline (Preview) routing and bypass stat

S3L System Guide206Adding MIDI, Plug-In, and Media Data to SnapshotsMIDI, Plug-Ins, and Media (USB 2-track transport commands) data are added to snaps

Chapter 20: Snapshots 207To edit a MIDI message in the MIDI list:1 Double-click the message text to display the pop-up menu bar for the message.2 Choo

S3L System Guide208To add a plug-in to multiple snapshots from the Plug-Ins page:1 Create a multi-selection of snapshots in the Snapshots list.2 Go to

Chapter 20: Snapshots 209Adding Media Data to SnapshotsWhen the Media data type is scoped for a snapshot, one of the fol-lowing USB 2-track Transport

S3L System Guide210To toggle tempo on/off for each snapshot: 1 Make sure Tempo is shown in the Snapshots list (if not, right-click any item in the lis

Chapter 20: Snapshots 211Pre SettingsSnapshots can be used to recall the preamplifier settings on inputs for all scoped Input Channels. You can set an

Chapter 2: Configuring and Connecting 112 Remove the rack ears from the Stage 16.3 Replace the rack ears on the Stage 16 so they function as handles,

S3L System Guide212Snapshot Data Types and ParametersTable 5. Snapshot data types and parameters included in each data typeSnapshot Data Type Included

Chapter 21: Events 213Chapter 21: EventsThis chapter introduces the Events tab, and explains how to use the Event list.Introduction An event consists

S3L System Guide214The Events TabThe Events tab of the Option page is the working area of the Event list system. Events are defined and managed using

Chapter 21: Events 215Event List Each event is shown in its own row within the Event list. The list can be scrolled vertically when necessary. The Eve

S3L System Guide216ActionsThe Actions list shows the actions defined in the currently se-lected event, as well as commands to create and manage action

Chapter 21: Events 217Creating EventsThe basic steps to create an event include the following:• Add a new event in the Event list (see “Adding an Even

S3L System Guide218Deleting and Clearing an EventDeleting an event removes it permanently from the Event list. Clearing an event leaves the named even

Chapter 21: Events 219Creating TriggersEach Event can have up to eight triggers. You create new triggers by selecting them from the Add pop-up menu. O

S3L System Guide220Examples of Logical Operators Logical operators determine the precise state required in order for an event to occur as shown in the

Chapter 21: Events 221Creating ActionsEach event can have up to eight actions. You create new actions by selecting them from the Add pop-up menu. Once

S3L System Guide12Connecting PowerS3 Control SurfaceThe external PSU for the S3 control surface is connected to the DC input on the S3 and to your po

S3L System Guide222Action Wait All actions let you specify a Wait time of up to 100 seconds for the action to wait before firing. This can be useful f

Chapter 21: Events 223Snapshots and EventsEvents can include snapshot functions among their triggers and actions. Snapshots as TriggersEvents can be t

S3L System Guide224Default Settings, Templates and ExamplesDefault EventsEach Demo Show file contains a set of default events that can be used as a st

Chapter 21: Events 225Using the TemplatesTo add any of the events listed in the table, do the following (us-ing the first template, Talkback (Toggle)

S3L System Guide226Create a Tap Tempo EventTo create a Tap Tempo event1 Go to Options > Events.2 Create a new event and call it Tap Tempo. 3 Click

Chapter 21: Events 227Trigger TypesThe following table lists the available trigger types and properties, along with a description of each. Table 6. Tr

S3L System Guide228Action TypesThe following table lists the available Action types and properties, along with a description of each. Table 7. Action

Chapter 21: Events 229Pro ToolsTransport controls for Pro Tools play-back and recordingStopPlayRecordRecord Enable All VENUE TracksTracks in Pro Tools

S3L System Guide230Flash Console Lights Flashes console lights Bottom Row Flip to FadersOnOffToggle (default)Latch While Active(default)Mirrors the Fl

Chapter 22: Synchronization 231Chapter 22: SynchronizationS3L provides a set of MIDI-based synchronization features that allow automation and remote c

Chapter 2: Configuring and Connecting 13Connecting PeripheralsConnecting a MonitorA DVI connector is provided on the E3 engine to connect a DVI-D comp

S3L System Guide232Snapshot MIDI Time Code DisplayWhen the system is set to generate or read MIDI Time Code, the Snapshots list shows time code values

Chapter 22: Synchronization 233Enabling Snapshots for Automated RecallWith time code values assigned to snapshots, you can then enable snapshots for r

S3L System Guide234Triggering of External Devices on Snapshot RecallThe VENUE system can be set to send MIDI Bank and Program Change messages whenever

Chapter 22: Synchronization 235About Digital Input and Sample Rate Conversion The AES digital inputs on the E3 engine provide sample rate con-version

Chapter 23: Using the Standalone Software 237Chapter 23: Using the Standalone SoftwareVENUE Standalone software lets you do all of the following to pr

S3L System Guide238Simulating a VENUE ConfigurationYou can use the Standalone software to simulate a VENUE sys-tem with any number of input and output

Chapter 23: Using the Standalone Software 239Transfer and Load Data to the Standalone SoftwareTo transfer and load VENUE data from your system to the

Part VII: Recording and Playback

Chapter 24: 2-Track USB Recording and Playback 243Chapter 24: 2-Track USB Recording and PlaybackThe S3L system provides built-in USB 2-track recording

S3L System Guide2444 – Target Record Folder SectionThe Target Record Folder section lets you choose the destination drive and/or folder for recordings

S3L System Guide14Connecting a Single-Stage 16 SystemTo connect a single-Stage 16 system:1 Connect an audio network cable from Network port A on the b

Chapter 24: 2-Track USB Recording and Playback 245Selecting TracksItems in the Playlist, Library and Target Record Folder list are se-lected on-screen

S3L System Guide246TransportThe Record and Playback tabs share the same Transport section. The Transport provides Transport controls, the Transport di

Chapter 24: 2-Track USB Recording and Playback 247Recording Audio to USBTo record audio to USB, you need to assign system channels to the USB recordin

S3L System Guide248Creating and Targeting a Folder for the RecordingYou can create a folder on a drive and target it for the recording.To create a fol

Chapter 24: 2-Track USB Recording and Playback 249Record ListenYou can use the on-screen Record Listen button to monitor the re-cording input. Record

S3L System Guide250Adding Tracks to the PlaylistTo add tracks to the Playlist:1 Insert your USB drive(s) into a USB port on the E3 engine.2 Go to the

Chapter 24: 2-Track USB Recording and Playback 251To adjust the playback level:1 On-screen, drag the Level encoder in the Playback Output sec-tion.2 F

S3L System Guide252Auditioning Tracks You can audition tracks in the Target Record Folder list of the Record window, and in the Playlist and the Libra

Chapter 24: 2-Track USB Recording and Playback 253Creating a New Snapshot for Track PlaybackTo create a new snapshot containing a track playback:1 Go

S3L System Guide254To create a new event for track playback:1 Go to Media > Playback. 2 In the Playlist, click the Event icon next to the track you

Chapter 2: Configuring and Connecting 15Connecting a Multiple-Stage 16 SystemConnections for a four-Stage 16 box system are shown, but the instruction

Chapter 25: Pro Tools Recording and Playback 255Chapter 25: Pro Tools Recording and PlaybackThe S3L system provides direct connection to a computer ru

S3L System Guide256S3L and Pro Tools OverviewThe Ethernet AVB connection between your S3L system and Pro Tools provides up to 64 channels of simultane

Chapter 25: Pro Tools Recording and Playback 257Installing Pro ToolsPro Tools software is provided with your S3L system. Before connecting your S3L sy

S3L System Guide258Connecting to Pro ToolsBefore connecting systems, make sure you have verified your Pro Tools installation (including the Avid AVB64

Chapter 25: Pro Tools Recording and Playback 259Output Levels for Digital Splits0 dB on S3L system input meters equals –20 dBFS. This 20 dB of mixer h

S3L System Guide260Returning to Stage InputsIf you change any channel Input Gain settings while in Virtual Soundcheck mode, you have the option of app

Chapter 25: Pro Tools Recording and Playback 261Snapshot PRE Settings and Virtual Soundcheck InputsThe PRE Data Type Scope button on the Snapshots pag

S3L System Guide262Using Output Busses You can record submixes (also called stems) by sending outputs such as Mains, Auxes, Groups, and Matrixes direc

Chapter 25: Pro Tools Recording and Playback 263Using Input ModeWhen Input mode is enabled, Pro Tools (or another Ethernet AVB source) is the main sou

S3L System Guide2643 Click in the System Name box, type in a name for your VENUE system, and press Enter on your keyboard.4 Click Apply.5 In the Ether

S3L System Guide16Powering Up the SystemAfter connecting your system components, power up your sys-tem.Power up the system in the following sequence:1

Chapter 25: Pro Tools Recording and Playback 265Using VENUE LinkThis section provides instructions on how to use the following VENUE Link features:• “

S3L System Guide266Assignable Outputs In the Pro Tools session, new mono and ste-reo tracks are created for any S3L system channels patched to As-sign

Chapter 25: Pro Tools Recording and Playback 267Creating a Pro Tools Marker from a SnapshotWith VENUE Link enabled, you can set individual snapshots t

S3L System Guide268To disable locating to a VENUE snapshot-generated Marker:1 In the Edit window, double-click the Marker in the Markers ruler to open

Chapter 25: Pro Tools Recording and Playback 269Triggering Multiple Pro Tools FunctionsThe following example shows how to record-enable all tracks fro

Part VIII: Specifications andTroubleshooting

Chapter 26: Mechanical Specifications 273Chapter 26: Mechanical SpecificationsS3 Control SurfaceParameter SpecificationHeight (front)Height (back)1.3

S3L System Guide274Dimensions, S3 control surface 28 in(711.1 mm) 14.3 in(363.1 mm)2.2 in(57.3 mm).6 in(14.4 mm)1.8 in(45.2 mm) 1 in(25.4 mm) 1.3 in(

Chapter 26: Mechanical Specifications 275E3 EngineParameter SpecificationMaximum Height 3.5 inches (89 mm)Rack Spaces 2UMaximum Width 19 inches (483

S3L System Guide276Stage 16Parameter SpecificationHeight 6.9 in (175.2 mm)Rack Spaces 4UWidth (with rack ears)Width (with rack ears configured as han

Chapter 2: Configuring and Connecting 17Confirming and Configuring System ComponentsOnce you have connected and powered up your system, do the followi

Chapter 26: Mechanical Specifications 277Power and Status LED CodesE3 EngineOne single-color LED on the front panel of the E3 engine lights to indicat

Chapter 27: Audio Specifications 279Chapter 27: Audio SpecificationsAll specifications subject to change.S3 Control Surface Audio SpecificationsS3 Ana

S3L System Guide280S3 Analog Mic Inputs, Pad EnabledParameter ConditionsValueUnitsMin. Typ. Max.Phantom Power 48 VoltsInput Sensitivity @ 997Hz, Gain

Chapter 27: Audio Specifications 281S3 Analog OutputsParameter ConditionsValueUnitsMin. Typ. Max.Output Sensitivity @ 997 Hz+24.201 dBuOutput Impedanc

S3L System Guide282E3 Engine Audio SpecificationsE3 System ProcessingParameter ValueInternal Sample Frequency 48 kHzInternal ProcessingUp to 64-bit fl

Chapter 27: Audio Specifications 283E3 Analog OutputsParameter ConditionsValueUnitsMin. Typ. Max.Output Sensitivity @ 997 Hz+24.164 dBuOutput Impedanc

S3L System Guide284Stage 16 Audio SpecificationsStage 16 Analog Mic Inputs, Pad DisabledParameter ConditionsValueUnitsMin. Typ. Max.Phantom Power 48 V

Chapter 27: Audio Specifications 285Stage 16 Analog OutputsParameter ConditionsValueUnitsMin. Typ. Max.Output Sensitivity @ 997 Hz+24.164 dBuOutput im

Chapter 28: S3L System Signal Flow Diagrams 287Chapter 28: S3L System Signal Flow DiagramsMonitor Bus Signal Flow Diagram

S3L System Guide288Input Signal Flow Diagram

S3L System Guide18Configuring Your System for the First TimeWhen you configure your system for the first time, you assign Stage 16 boxes to available

Chapter 28: S3L System Signal Flow Diagrams 289Output Signal Flow Diagram

Chapter 29: Troubleshooting 291Chapter 29: TroubleshootingThis chapter provides troubleshooting and problem solving information. It includes a table o

S3L System Guide292Startup and RestartsRepeated failuresAn incompatible plug-in, a corrupted data file or application software, or a hardware error.Ch

Chapter 29: Troubleshooting 293Warning DialogsOne or More Devices Have FailedBad or missing connection Check connections to other components.A device

S3L System Guide294Performing a Soft ResetIf your VENUE system ever needs to be reset, restart the systemTo restart the system:1 Go to the Options pag

Chapter 29: Troubleshooting 295Resetting Hardware ComponentsSome hardware can be reset from the Options > Devices screen, or by power-cycling the c

S3L System Guide296Using the System Restore SoftwareThe System Restore USB Drive provided with your system lets you update or restore your system soft

Chapter 29: Troubleshooting 297Updating FirmwareDuring an update or system restore, the system checks for new firmware. If newer firmware is found in

Part IX: Reference

Chapter 30: GPI Port Reference 301Chapter 30: GPI Port ReferenceGPI Port SpecificationsA 9-pin, female DB9 connector provides a total of 2 General Pur

Chapter 2: Configuring and Connecting 19Naming System ComponentsYou can name the S3 control surface, the E3 engine, and any con-nected and assigned St

S3L System Guide302GPI Wiring DiagramsThe following diagrams provide examples of GPI pinout and wir-ing for a few common uses. All diagrams are shown

Chapter 30: GPI Port Reference 303GPI Output Driving a Logic InputGPI Output Driving a Relay Using an External Power SupplyV +38Ground reference neede

Chapter 31: ECx Ethernet Control 305Chapter 31: ECx Ethernet ControlYour system includes ECx Ethernet Control remote control host and client software.

S3L System Guide3064 Insert the USB drive containing the ECx host software into an available USB port on the E3 engine.5 Place the system into Config

Chapter 31: ECx Ethernet Control 307Overview of ECx Setup and ConfigurationYou can control your S3L system (the “host”) with a remote com-puter (the “

S3L System Guide308Setting IP AddressesDo one of the following to set the IP addresses in VENUE and on your client computer, depending on the configur

Chapter 31: ECx Ethernet Control 309Setting the Mac Client IP Address ManuallyAfter manually setting the IP address in VENUE, you need to set the IP a

S3L System Guide3106 In the Internet Protocol Properties window, select “Use the fol-lowing IP Address” and enter the following:• IP address: 10.0.0.2

Chapter 31: ECx Ethernet Control 311Setting the Mac Client IP Address AutomaticallyAfter setting the IP address in VENUE using DHCP, you need to do th

S3L System Guide3126 In the Internet Protocol Properties window, select “Obtain an Address Automatically.”7 Click OK to close the Internet Protocol pr

Safety ComplianceSafety StatementThis equipment has been tested to comply with USA and Canadian safety certification in accordance with the specificat

S3L System Guide20Managing Stage I/OWhen power-cycling your system and/or reconnecting Stage 16 boxes to the same E3 engine, the original Stage 1–4 as

Chapter 31: ECx Ethernet Control 313Establishing a Wireleless Connection on a Windows ClientTo connect to a network that is broadcasting its SSID on W

S3L System Guide314Enabling Remote OperationIn order to enable remote operation of your S3L system, you need to have obtained valid IP addresses in VE

Appendix A: E3 Engine Secure USB Port 315Appendix A: E3 Engine Secure USB PortThe E3 engine features a secure internal USB port to connect and securel

S3L System Guide3164 Inside the E3 engine, locate the secure USB port and insert the iLok.5 Secure the iLok with the built-in cable tie.6 Replace the

317Appendix B: ComplianceEnvironmental ComplianceDisposal of Waste Equipment by Users in the European UnionThis symbol on the product or its packagi

S3L System Guide318Korean EMC RegulationsFor Avid S3 Control Surface and Avid Stage 16For Avid E3 Engine

Index 319Numerics0 dBVU 17648V 79AA Unit has gone Offline 295Absolute (editing snapshots) 201Actions 216creating 221list 228Add (or Update) this plug-

S3L System Guide320DDate & Time Check 293dBVU, dBu, dBFS 176Default 39delaycompensation 95input channel built-in 103, 112mains (house) 94, 103, 11

Index 321Hhard knee 143hardwaredisplay of unavailable 122headphoneslevel 134hexadecimal 207high-pass filter 151History 186house (Mains)mute 94volume 9

S3L System Guide322Multi-Assign 46Multi-Select 46Mutechannels, Mute Groups and VCAs 139Groups 137input channels 80outputs 137Nnaming channels 72naviga

Chapter 2: Configuring and Connecting 21Audio and Control Connections, Switches, and IndicatorsBefore making any audio connections, make sure your aud

Index 323Pro Toolsassignable I/O 261connecting 258Input mode 263installing 257Live Sound Production Toolkit 257using events to control Pro Tools 268Vi

S3L System Guide324keyboard shortcuts 188List 188list of data types and parameters 197, 212locking and unlocking 199managing (storing, clearing, delet

Index 325WWait (Event List) 222Warning Dialogs 293While Active (Event action behavior) 221Width 79width (when pasting) 48Word Clock I/O 22XX-fade (cro

Avid2001 Junipero Serra Boulevard Daly City, CA 94014-3886 USATechnical Support (USA)Visit the Online Support Center at www.avid.com/supportProduct In

S3L System Guide22E3 Engine Connections and SwitchesAudio ConnectionsE3 engine audio I/O is assigned to VENUE system channels us-ing the Patchbay, und

Chapter 2: Configuring and Connecting 239 – GPI PortA 9-pin, female DB9 connector provides a 2-in/2-out GPI Gen-eral Purpose Interface (GPI). For spec

S3L System Guide24Stage 16 Connections and SwitchesStage 16 Audio ConnectionsStage 16 audio I/O is assigned to VENUE system channels under the Stage 1

Chapter 2: Configuring and Connecting 25AC Power Switch (Back Panel)The Power switch applies power to the Stage 16 box. The power switch is latching,

Part II: Description

Chapter 3: S3L System Control Overview 29Chapter 3: S3L System Control OverviewThis chapter provides an overview of S3L system controls on the console

S3L System Guide30Channel SectionThe Channel section provides 16 channel strips to control input and output channels. Each channel strip has a fader,

Chapter 3: S3L System Control Overview 31Level Meter A 10-segment meter shows input level for input channels, and output level for output channels. Cl

Contents vPart I OverviewChapter 1. Introduction to the S3L System . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

S3L System Guide32Aux This switch assigns control of Aux (and Variable Group) send levels to the channel encoders.  When the Aux switch is pressed, t

Chapter 3: S3L System Control Overview 33< Nudge > and < Bank > SwitchesThese switches let you bank channels to Channel strips sequen-tial

S3L System Guide34Channel ControlChannel Control provides consistent control and display of channel processing functions such as EQ, dynamics, and Aux

Chapter 3: S3L System Control Overview 35Channel Control DisplaysThe Channel Control displays show the Channel Control main menu. When a processing fu

S3L System Guide36Global ControlsGlobal controls provide control of global parameters and functions such as control of output bus levels, Matrix input

Chapter 3: S3L System Control Overview 37Global Control Navigation SwitchesThe Global Control Navigation switches let you navigate through the availab

S3L System Guide38Function SwitchesThe Function switches can be customized to control a wide range of console parameters such as Mute Groups, snapshot

Chapter 3: S3L System Control Overview 39Global ModifiersThe Global Modifier controls provide frequently used shortcuts that can be applied to console

S3L System Guide40Software Screen OverviewThe screen is not required in order to mix a performance, as all es-sential mixing controls are provided on

Chapter 3: S3L System Control Overview 41Overview of Software PagesThe software screen provides the following pages and tabs.InputsSelect, name, confi

S3L System GuideviChapter 5. Channel Control . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

S3L System Guide42PatchbayPatch input and output channels to hardware inputs and outputs, and name channels.Plug-InsConfigure and arrange plug-in rack

Chapter 4: Banking and Selecting Channels 43Chapter 4: Banking and Selecting ChannelsBanking ChannelsThe S3L system provides channel banking controls

S3L System Guide44Banking with < Nudge > and < Bank > Switches< Nudge > and < Bank > let you bank through channels horizon-tal

Chapter 4: Banking and Selecting Channels 45Selecting Channels On-ScreenTo select a channel on-screen Click anywhere in the on-screen fader strip, ex

S3L System Guide46Selecting Multiple Channels (Multi-Select)Multi-Select lets you select multiple channels in order to apply an action to them in one

Chapter 4: Banking and Selecting Channels 47Adjusting On-Screen EncodersYou can adjust on-screen rotary encoders by dragging directly over the on-scre

S3L System Guide48Parameters and Channel TypesInput channels can only be copied or pasted to other Input chan-nels. Output channels can only be copied

Chapter 4: Banking and Selecting Channels 49Blank Strips On-ScreenBlank strips appear as a simple gray strip with no fader, buttons or meter. A blank

S3L System Guide50Fader and Encoder ShortcutsThe on-screen channel faders and encoders provide the following right-click shortcuts to reset individual

Chapter 5: Channel Control 51Chapter 5: Channel ControlChannel Control provides consistent control and display of processing functions for the current

Contents viiChapter 10. Auxes and Variable Groups . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

S3L System Guide52Using Channel ControlUsing Channel Control is as simple as selecting a channel, assign-ing a processing function to Channel Control,

Chapter 5: Channel Control 53To enable or bypass an entire EQ, Comp/Limp, or Exp/Gate function (toggle in/out), do either of the following: When the

S3L System Guide54Assigning Functions to Channel ControlSee the following sections for information on assigning and ad-justing processing functions us

Chapter 5: Channel Control 55Availability of Channel Control FunctionsThe functions available on Channel Control depend on the type of channel current

Chapter 6: Options 57Chapter 6: OptionsThe Options page provides several tabs. Of these, the System and Devices tabs are where most system configurati

S3L System Guide58System Configuration SettingsIn Show mode, the System Configuration section is display-only, showing the current allocation of syste

Chapter 6: Options 594 Do any of the following: • If you have more than one USB storage device connected, make sure the correct USB device is selected

S3L System Guide60MIDI and MTCWhile the system is locked:• Snapshots continue to be recalled via MTC, either inter-nally or externally generated.• The

Chapter 6: Options 61Solo and Monitor OperationsThese settings customize Solo and Monitor bus mode and opera-tion. To configure Solo settings on-scree

S3L System Guide62SnapshotsThe Snapshots tab provides several snapshot preference settings to optimize snapshot operation. Snapshot General Preference

S3L System GuideviiiChapter 16. EQ. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Chapter 6: Options 63MiscThe Miscellaneous (Misc) tab provides utility and other settings. OscillatorThese options let you choose the tone, frequency,

S3L System Guide64InteractionThe Interaction tab lets you configure behaviors for selected channels, Input Safe Switches, Lights, Meter, Ethernet, and

Chapter 6: Options 65Clip Hold TimeThe Clip Hold Time determines how long a clip indication lasts after the last clipped signal. Clip Hold Time can be

S3L System Guide66DevicesThe Devices tab lets you view and edit system connections, edit hardware settings, provides troubleshooting and diagnostic op

Chapter 6: Options 67EventsThe Events tab of the Options page lets you use the Event list to customize the function of switches, footswitches and Gene

Part III: Signal Routing

Chapter 7: Inputs and Input Routing 71Chapter 7: Inputs and Input RoutingThis chapter describes how to do the following: • Configure system settings f

S3L System Guide72Setting the Input Channel ConfigurationYou can choose one of the following input channel configura-tions:• 48 Input Channels plus ei

Chapter 7: Inputs and Input Routing 73Combining Input Channels (Make Stereo)Pairs of mono input channels can be combined to make stereo channels, whos

S3L System Guide74Assigning Input Sources to ChannelsInputs sources can be assigned to any Input Channel or FX Return using the Patchbay. In the Patch

Contents ixPreview Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Chapter 7: Inputs and Input Routing 75Inputs from Pro ToolsThe following types of inputs from Pro Tools are provided:Virtual Soundcheck Inputs Any S3L

S3L System Guide76Routing Input Channels to OutputsInput Channels and FX Returns can be routed to Mains and Groups, and Matrixes. Signals from Input C

Chapter 7: Inputs and Input Routing 77Configuring Aux Busses (Aux Sends)The S3L system can be configured to have 8 Auxes and 8 stereo Groups, 16 Auxes

S3L System Guide78To adjust channel input gain from Channel Control:1 Select one or more channels to target them in Channel Control. 2 Make sure the C

Chapter 7: Inputs and Input Routing 7948V (Phantom Power)48V phantom power can be applied to any analog input assigned to an Input Channel or FX Retur

S3L System Guide80HPF(High-Pass Filter)A built-in 4th-order High-Pass Filter can be enabled on each In-put Channel or FX Return. The HPF corner freque

Chapter 7: Inputs and Input Routing 81Adjusting Input Controls On-Screen The software screen Input section lets you adjust input parame-ters on-screen

S3L System Guide82Using Built-In Dynamics on InputsBuilt-In Dynamics can be controlled from the Channel encoders, Channel Control, and on-screen. An i

Chapter 7: Inputs and Input Routing 83Using Plug-In Inserts on InputsPlug-Ins are arranged in virtual racks, which allow signals to be sent to and fro

S3L System Guide84Input Channel PresetsInput channel configurations can be stored and recalled as Input Channel Presets. Input Channel Presets can be

S3L System GuidexChapter 25. Pro Tools Recording and Playback. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Chapter 7: Inputs and Input Routing 85Channel CompatibilityWhen storing and loading Input Channel presets, remember the following:  Group bus assignm

Chapter 8: Outputs and Output Routing 87Chapter 8: Outputs and Output RoutingThis chapter shows how to do the following: • Configure and name outputs•

S3L System Guide88Configuring the Main BussesThe Main busses can be configured to operate as either:L–R plus Mono Pans signals between the left and ri

Chapter 8: Outputs and Output Routing 89Assigning Busses to Hardware OutputsMains, Groups/Variable Groups, Auxes, and Matrix mixer out-puts can be ass

S3L System Guide90Using Built-In Comp/Lim and EQ on OutputsEach Mains, Aux, Group, and Matrix output channel has a built-in Compressor/Limiter (Comp/L

Chapter 8: Outputs and Output Routing 91Using Built-In EQ on OutputsOne of two EQ types can be selected for the built-in EQ, on a per-channel basis: a

S3L System Guide92Inserting Built-In Graphic EQs on OutputsBuilt-in 31-band Graphic EQs can be inserted on Mains, Groups, Auxes, and Matrixes. 16 Grap

Chapter 8: Outputs and Output Routing 93Adjusting the Mains Mains can be adjusted using the channels strips and the Global Control encoders. Mains can

S3L System Guide94Unlinking MainsYou can unlink any of the three Main busses for discrete control of Mains levels.To unlink the Mains: In the Outputs

Chapter 8: Outputs and Output Routing 95Mains Automatic Delay CompensationYou can set the S3L system to automatically compensate for de-lays incurred